Theses on the World Crisis
So I have decided to write a series of posts on my substack exploring theses on the world crisis. You can join my free weekly newsletter at jeffrich.substack.com, and I would encourage all readers of the blog to do so.
So I have decided to write a series of posts on my substack exploring theses on the world crisis. You can join my free weekly newsletter at jeffrich.substack.com, and I would encourage all readers of the blog to do so.
As it happened, I had watched on the weekend the earlier Soviet film, Come and See (1985). Perhaps next Victory Day, Michael Pezzulo should write to his staff, and urge them to watch Come and See.
During the week I have been finalising my next book, 13 Ways of Looking at a Bureaucrat, and reading some essays and poems of Marina Tvetaeva (1892-1941), the great Russian poet, collected in Art and the Light of Conscience. A strange mix, true, but that is the life of my strange mind.
On the podcast I discuss how the history of emotions might offer a framework to think mindfully about the past of the last three crazy years of the pandemic and its impact on democracy.
I began reading a recent acclaimed biography of Fernando Pessoa, Richard Zenith, Pessoa: An Experimental Life (2021). Pessoa is a writer from the Burning Archive pantheon.
Towards, the end of Memory, History, and Forgetting, indeed, Ricoeur evoked the famous angel of history from the painting by Paul Klee, described in Walter Benjamin’s Theses on the Philosophy of History. This image also inspired my poems, blog, podcast, YouTube and now Sub-Stack newsletter. It marked a deep, unexpected bond between Ricoeur, Macron and I.
On the podcast this week I examined the enormous protests in France caused by President Macron’s changes to the minimum qualifying age for retirement pensions.
I took a deep dive into the history of the idea of global reserve currency in the podcast this week. This episode was provoked by the outcry in America about other nations that showed the audacity to trade in their own national currencies rather than the US dollar.
‘Money/, So they say,’ sing Pink Floyd in Dark Side of the Moon, ‘Is the root of all evil today.’ And money makes the roots of the multipolar world, the power of great states, and the grand illusions of Western dominance in the world.
Empress Zhu wrote, “Once I lived in heaven above, in pearl palaces and jade towers; now I live among grass and brambles, my blue robes soaked in tears. I hate the drift of snow.”